Yesterday was mind numbing.
The Paradox of Buying a Used Car:
After a 2 and 1/2 month hiatus, I'm finally back to the blog!
Ever since I was given my first CD bootleg, I've been hooked -especially since the internet has made bootlegs more accessible than ever.
Amy and I are going to see Paul McCartney next Friday in Des Moines! Needless to say, we are both very excited. Paul McCartney is a legendary songwriter! I found this article last night, and I had to share it with you guys! There's a video with an excellent walk-through of Penny Lane's chord structure.
http://www.culturesonar.com/penny-lane/
Until next time!
-T.
This post might be a little more for me than anything else. You're welcome to join me for this pep talk, though.
I've gotten 6 hours of sleep between 8am (CST) Sunday morning and right now Wednesday 12:52am (CST).
[If your response to that is "well I've stayed up for 3 weeks straight and have nineteen children to take care of and work 6 jobs..." CALM THE HELL DOWN and keep reading -this post is for YOU!]
I've endured immense amounts of unprecedented stress and anxiety -much of it borrowed stress from running hypothetical problems of "what could" happen.
I'm jittery from caffeine. I haven't objectively worked on my music in 3 days. I'm irritable, I'm not thinking straight, and I'm frustrated.
I'm careening towards a breakdown -and I need to SLOW down.
I'm incapable of offering my best at work or on projects when I'm awake for days straight.
I'll never make enough money to get back the time I lose stressing over hypotheticals.
Sleep deprivation has bitten me HARD in the past -and I'm not going through another season of that again.
Every stimulant has a nasty crash attached to it. There's nothing glamorous about crashing -and too much caffeine, energy drinks, energy supplements, or uppers of any sort can have nasty health repercussions
Lastly, if the root of your stress is coming from hobbies or work, check your boundaries and start saying "no" to things. I can't reiterate that you'll NEVER make enough money to buy back the time you could be spending with the people you love.
SLOW DOWN.
REEVALUATE.
RE-PRIORITIZE.
MOVE FORWARD.
Life's too short for stress and anxiety driven breakdowns. Make the change, and keep moving forward!
I'm gonna say it again for myself and the people in the back: you'll NEVER make enough money to buy back the time you could be spending with the people you love.
Give them your best by taking care of yourself. There's no award at the end of your life that justifies the time lost from stress, anxiety, willfull (and often unnecessary) sacrifices. Overworking yourself and making yourself miserable because of an abstract, higher-level, "it'll all make sense in hindsight sense" line of thinking... leads to lost time that you'll never get back. You're fooling yourself. Your overworked life will go completely unnoticed without real relationships. Working towards a "hindsight" goal might seem like a justifiable idea... but what happens when "hindsight" doesn't happen for 40 or 50 years? You've willfully starved yourself of pursuing relationships for 40 or 50 years! THAT'S NOT SOMETHING TO CELEBRATE! That's missing children growing up. That's missing grand kids being cute. That's missing decades of beautiful nuances and milestones of your own marriage. My misery in regularly choosing work or music over family and friends WILL bite me in the long run.
Relationships balance out an overworked life.
Be present for Amy (spouse or significant other), family, friends, and open yourself up to meeting new people as well.
You'll NEVER make enough money to buy back the time you could be spending with the people you love.
Make it a priority. Make it happen! The energy given and received from those relationships will refuel your soul on a spiritual level. It's what we were created to do!
Until next time,
-T.
I've got a very simple performance axiom that I try to stick with:
Play for twos like you'd play for thousands.
It's Piano Versions Saturday!
This post might make some of my artist friends a little uncomfortable. Why? It requires getting out of the ol' comfort zone. So, how does it work?
Many of you know that I'm working on a HUGE 8-Bit Project...
So, how much is your show worth? If you low-ball the venue, you could get stuck there -even if you're being invited back and bringing in lots of people. If you set a "fair-price" right off the bat, you might be turned down -because other bands will play for less (that will bring in a guaranteed crowd -or so they say).
This is where I'm going to allude to a previous post about desperation. If you're a 5 or 6-piece band that carts around a PA and lights system and the venue isn't willing to pay you at least $1000, you're probably wasting your time and energy. Remember, you've got to split the earnings 5 or 6 different ways and you're compensating yourself for about 6 hours of work for the night (remember at least an hour for setup and an hour for tear down). FYI, in a 6-piece band, this comes out to about $33.00/hour. If you're cool with that, then it's a good rate -if it's not enough, time to re-negotiate.
Whatever you decide to do, stick to your guns. If a venue isn't willing to pay you what you're worth, don't accept the gig. Simply say "no".
Now, suppose you're not "doing it for the money" -which can be somewhat of a noble thing to say... but for a lot of reasons, I'm not buying that as a reason to accept rip-off gigs. If anything, think about how it affects the culture of fellow musicians in your city.
If you're the person that is accepting 4-hour long gigs for free drinks or 4-hour long gigs for $100, you're hurting your fellow musicians by undercutting the actual market value for entertainment -why? Now, the bar knows that there is somebody out there that is willing to play for peanuts just to get stage time... If there is one of you, there are inevitably more of you.
Since musicians guilds and musicians unions aren't as common nowadays, entertainers are responsible for establishing a fair market value for their services!
My blog post today is ending with a dire prediction (I know that I'm a part-time cynic, but this is rooted in patterns -not cynicism). I feel like establishing a price and understanding how the market value for entertainment are important knowledge to pursue. That being said, I feel like the culture of musicians low-balling themselves has hit an irreversible point for anybody that is trying to include "LIVE shows in bars" as part of their practical income as a working musician. I predict; that in ten years, bars will either not pay musicians at all -or will simply refuse to hire live entertainment. Why? If the lower quality and lower experienced musicians are the ones that continue to low ball existing rates, all that will be left is sonic garbage. Patrons will still continue to enjoy their alcohol without having to indulge sonic trash, and the bar will get to retain the profits.
I know it's a bummer to end on, but if anything, I definitely think this is something to consider! Do you agree? Do you disagree? Join in the conversation below!
Until next time,
-T.
When was the last time you turned down a gig?
***BONUS*** PIANO VERSIONS SATURDAY
It's Piano Versions Saturday!
Friday!!! Excellent!!! -VIDEO-
This one is a list -I stopped at 20!
So, what does it take to be a working musician in 2017?
It's Piano Versions Saturday!